Classic
design theory discusses unity in terms of the objects
present in a piece of art. Regarded in this way, unity
discusses the need to tie the various elements of a work of
art together. Unity is a measure of how the elements of a
page seem to fit together - to belong together. A unified
work of art represents first a whole, then the sum of its
parts. The
simplest method of making objects appear to belong
together is to group them closely together. This
allows us to see a pattern. Another
method often used to promote unity is the use of
repetition. Repetition of color, shape, texture or
object can be used to tie a work
together. A
much more subtle method of unifying a work involves
the continuation of line, edge or direction from
one area to another. Continuation is often used in
books and magazines to tie the elements of a page
together with the use of rules, and by lining up
edges of copy, headlines and graphics. This
painting by Degas [1]
has many elements of continuation. The circle of
the girl's back is continued in the circle of the
tub on the floor. The overhanging brush guides our
eyes towards the objects on the table, which are
arranged as a continuation of the
circle. Elements
& Principles of Design:
[Line]
[Shape]
[Texture]
[Value
&
Color]
[Space]
[Movement]
[Balance]
[Emphasis]
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Design
Theory:
Classic
Graphic Design
Theory
Principles of Design: Unity
Copyright
© 1999 by Bonnie Skaalid
Ways
to Achieve Unity

Proximity
Repetition

Continuation

[1] Edgar
Degas. The Tub. 1886. Pastel, 60 x 82 cm. Louvre,
Paris.