During some discussion with him last year (?), I requested a test print from
him, and he kindly sent me one, and the colors are indeed very nice and
saturated. I definitely want to try it out some time.
<< Some notes taken @ the Bath ASIP conference indicate that I must perfect
Peter Frederick's alternative method of working as w/gum. Rather than
the gum bichromate or Gloyİ, Peter works w a "whole egg" as in Egg
I wonder if Peter is back on the list, or if any of us out there knows
if he has published his info.
Primarily, in speaking w/him, and, looking at his print in my hand of a
bunker (perhaps) on a hill called "Still on Guard", the colors really
jump. Too, according to Peter, there is a high degree of archival