Keith G. Tidball and Chris
Toumey
Abstract
Intense media coverage of Appalachian Pentecostal-Holiness serpent
handling sometimes causes a switch in signifier/signified relationships. The
snakes used symbolically in this practice are grounded less in traditional
religious meaning, and more in a certain recent secular meaning: from
signifying faith in the Holy Spirit to indicating the value of celebrity
status. This phenomenon is analyzed in a framework of theories about symbols
and rituals, and is then described in a series of ethnographic observations at
a serpent-handling church in Kentucky. This case study raises some troubling
issues about how cosmopolitan media represent a distinctive local culture.
[1] Why do some Pentecostal Christians handle serpents in their
religious services? This practice, so firmly associated with low-income white
Protestants in the Appalachian mountains, has received a great deal of
scholarly attention, which in turn has generated a series of explanations.
Here we summarize three, and explore them at length in a subsequent section. Mark
16:17-18 (KJV) teaches that “these signs shall follow them that believe; in my
name shall they cast out devils; they shall speak with new tongues; they shall
take up serpents; and if they drink any deadly thing, it shall not hurt them;
they shall lay hands on the sick, and they shall recover.” And so according to
one explanation, that reference, in and of itself, accounts for this practice,
in the sense that serpent handling is an act of faith defined by a biblical
text.
[2] A second theory suggests that serpent-handling symbolizes
socio-economic issues which transcend Biblical belief. The serpent represents
the Devil—a common Christian image—but the Devil is equivalent to
evil forms of capitalism which have stolen natural resources and destroyed
communities in Appalachia. In this view, the religious features of serpent
handling are part of a larger whole.
[3] A third account of serpent-handling in Appalachia develops the
idea that serpent handlers are oppressed and exploited by outsiders, but it
adds an intriguing interpretation to that observation. It tells us that the
larger American society has taken almost everything of value from the people of
Appalachia, and has confined them to such negative social categories as
"hillbillies," "holy rollers," and "poor white
trash." Some Appalachian people have then reacted against those who have
exploited them by embracing a cultural practice which is so peculiar and so
perplexing that it cannot be co-opted or exploited. In other words, the ritual
handling of serpents is a dramatic act of symbolic resistance to cultural
imperialism. Again, the religious features are nested within large-scale
socio-economic dynamics.
[4] It is not our intention to dismiss these theories. We
recognize that a full appreciation of serpent handling includes all three of
them. We especially appreciate these explanations as case studies which
contribute to serious thought about symbolism and ritual. We would, however,
like to introduce a newer interpretation of Appalachian serpent-handling. We
argue that the behaviour of some Appalachian Pentecostal serpent handlers is
strongly motivated by certain media representations, and that this phenomenon
has several important implications: first, that serpent handling is changing;
second, that secular values are competing with religious values, thereby
upsetting the religious basis of this practice; and, third, that some
developments in ritual and symbolic theory can help us understand the changing
nature of serpent handling in Appalachia.
[5] To elaborate our argument: we observe that intense coverage in
the print and electronic media has made secular celebrities of some Appalachian
serpent handlers. That process gives superficial attention, at best, to the
religious meanings associated with this practice, while emphasizing instead the
danger and excitement of dealing with poisonous snakes. Some Christian serpent
handlers have then enhanced their own celebrity status by presenting themselves
primarily as skillful snake wranglers, that is, heroes who can face danger and
control it. They may not intend for this to overshadow their genuine religious
motivations when their serpent handling is represented in the media, but it
does. The media may still portray serpent handling as an exotic symbol of
something else, but in this media-driven process it need not be closely
identified with religious belief. Instead, it becomes a secular symbol of a
secular value, that is, personal fame derived from one's ability to flirt with
dangerous snakes. Serpent handling then becomes as much a path to celebrity as
to sainthood.
[6] We present our interpretation in three steps: first, a brief
review of historical accounts of the early days of Appalachian Pentecostal
serpent handling; secondly, a selective discussion of theories about symbols
and rituals, as they pertain to serpent-handling rituals; then, a description
of recent developments in this phenomenon, including a case study which
indicates how secular meanings are intruding upon the religious meanings behind
serpent-handling.
Histories and Interpretations of
Appalachian Serpent Handling
[7] Industrialization began to have an effect on Appalachian
society after the Civil War, when investors from the East and abroad took an
interest in Appalachia's vast supplies of coal, lumber and other natural
resources. Prior to that, much of mountain social life was centered on
isolated local communities rather than the larger society, so that many
mountain communities possessed a sense of political and economic sovereignty
(Eller 1979). "Capitalist practices such as the accumulation of profit
remained alien to rural people," who enjoyed egalitarian societal
relations rather than hierarchical relations (Kimbrough 1995, 70). Ronald D.
Eller observes that:
Status rather than class distinctions ...
were the most important social divisions in traditional mountain society. … In
remote mountain neighborhoods where economic differences were minimal ... the
rural social order was divided not into upper, middle, and lower classes but
into respectable and non-respectable classes, and each local community
determined its own criteria for respectability (Eller 1979, 83, 109).
[8] C.L. Albanese notes
a distinctive feature of Appalachian religious thought: in a setting that was
rural, agricultural, and mountainous, "mountain people surrounded themselves
with a symbolic system based, for the most part, on nature" (Albanese 1981,
236). The serpents of the Old and New Testaments, which stood for the hidden,
lurking, and dangerous qualities of evil forces, were very real to people who
were well aware of rattlesnakes, copperheads, and other poisonous vipers.
[9] When capitalist industrialization began to change the social
world of mountain communities, its principal mechanism for doing so was the
transfer of land and mineral rights from residents to investors. In the words
of Shaunna Lynn Scott,
The agents of major investors used a
variety of means to acquire land and mineral rights. Most Appalachian farmers,
unaware of the market value of their coal, sold mineral rights and untillable
land to these speculators for as little as $.25 to $5.00 per acre. These
resources seemed useless to the subsistence farmer; to receive any cash in
return for them appeared to be a good deal. Little did they know that the deed
they signed, called the "broad form deed," gave the new owner the
rights to all mineral wealth, including those which had not been discovered.
It also granted them the right to use whatever means they deemed necessary to
remove minerals (Scott 1988, 60).
An ethos of self-sufficiency was displaced by a
capital-and-proletarian social order (Waller 1988). Accompanying that change
was a wave of missionary work: "missionaries and capitalists saw
Appalachians as morally weak and lazy because of their indifference to the
forced pace of time-clock capitalism" (Kimbrough 1995, 82).
[10] Serpent-handling began to thrive shortly after Appalachian
people lost the rights to the minerals under their land, the lumber from their
woods, and the stability of their social order. George Went Hensley, the
apostle of serpent handling, may have seen others handle serpents before he did
it himself, but after picking up a rattlesnake, he began to preach this
doctrine vigorously; first in Grasshopper Valley, Tennessee, and later in the
mountain counties of Tennessee and Kentucky during the first decades of the
twentieth century (La Barre 1962). His impassioned sermons focused on the
power of faith in God's signs and miracles, as presented in Mark 16:17-18:
casting out devils; speaking in tongues; taking up serpents; drinking poison
without having ill effects; and healing by faith. Those who were moved by
Hensley's message saw a means of reshaping a world they thought was going to
hell (Kimbrough 1995).
[11] For many decades now, the ritual practice advocated by Hensley
has been well known in the mountains of West Virginia, Virginia, Kentucky,
Tennessee, North Carolina, Georgia, and Alabama. In addition, it can be found
in churches populated by Appalachian emigrants in nearby cities, including
Cincinnati, Cleveland, Indianapolis, Columbus, Detroit, and Pittsburgh. It is
estimated that there are at dozens of independent churches whose members handle
serpents in their religious services (Birckhead 1996, 261; Daugherty 1976).
[12] What, then, is the relationship between exploitive capitalism
and serpent handling? To answer this, we turn to a series of theories about
symbols and rituals.
Some Theories of Symbols and Rituals
[13] The study of symbols and symbolism is both interesting and
problematic because a symbol is, by definition, something which stands for
something else. This field of study asks a host of questions, but the two most
prominent are: (1) what does a particular symbol stand for, that is, what is the idea or the thing
behind the symbol?; and (2) how does a symbol represent something else?
[14] In his historical account of theories concerning symbols and
symbolism, Raymond Firth describes the systematic and empirical features of
twentieth-century anthropological studies (Firth 1973, 92-106). Two characteristics
are especially important. The first is that the study of symbols, at least in
anglophone anthropology, is usually centered on ritual. Let us define ritual
as patterned (or routine) collective symbolic behaviour. With this
understanding, the anthropologist can observe and describe the repetitive and
predictable aspects of a ritual, and can thereby avoid dealing with isolated or
idiosyncratic symbols. And, because a ritual is an instance of collective
behaviour, there ought to be some common understanding among the participants
of what the various symbols are supposed to represent. By treating a symbol as
a phenomenon which occurs repeatedly in a regular pattern, and by deriving the
abstract signified from the interpretations of multiple participants, the
ritual-centered approach gives a good empirical grounding to the study of
symbols and symbolism.
[15] Secondly, the anthropological approaches rely very much on
Ferdinand de Saussure's linguistic theories from his book, Course in General
Linguistics (Saussure
1966). Saussure taught that a symbolic relationship includes
"signifieds," that is, ideas which need to be expressed by devices
such as words, and "signifiers," which are the devices by which an
idea is represented. (Anglophone anthropologists often use the terms
"signifier" and "symbol" interchangeably.) Ideally, the
signifier constitutes a clear, direct, and faithful representation of the
signified, in which case the two together are called a sign. More commonly, however,
sensory signifiers—words, emblems, images, slogans, and so forth—cannot
entirely represent abstract thoughts, if only because the sensory can never be
equivalent to the abstract.
[16] This brings us to the first interpretation of serpent
handling. The key Biblical text, Mark 16:17-18, tells us that taking up
serpents is a demonstration of the power of one’s faith. Pentecostal
Christians who handle serpents are most likely to account for this practice by
pointing directly to its biblical justification in Mark, and perhaps also to a
corroborating verse at Luke:10:19. In this sense, serpent handling is an
exercise in Saussurian signs: a clear, direct, and faithful representation of
the signified, that is, the Christian belief championed in Mark. In addition,
this view avoids theories of socio-economic causation that would relativize the
ritual in question.
[17] The most persuasive argument for this view comes from Bill J.
Leonard, who says that “the people called serpent-handlers are in a real sense
the ultimate biblical inerrantists” (Leonard 1999, 229; also pp. 234, 235, 238).
There are several different influences that shape Appalachian
Pentecostal-Holiness faith, he writes, and there are some interesting issues of
Biblical hermeneutics that concern Mark 16:17-18, but in the end these people
handle serpents because they conclude that the King James Version of the Bible
clearly tells them to do this (Leonard 1999).
[18] Likewise, accounts in the print media often allude to bible
texts, but their analysis usually stops there. We see this in stories in Time (1 November 1968), the Washington Post (2 December 1979), the Herald-Leader of Lexington, Kentucky (17 September
1995), and Smithsonian (January 1996), to name a few: each indicates that these people handle serpents
simply because the bible tells them to.
[19] We do not disregard the connection between the practice and
the text. We recognize that Christians justify their ritual practices partly
by referring to biblical texts. But this simple analysis is very incomplete.
At the very least, A Saussurian explanation fails to explain why other
Pentecostal Christians decline to handle serpents. The Pentecostal style of
Christian faith emphasizes that the gifts of the Holy Spirit should be as
prominent as one’s personal salvation that comes through Jesus: one must accept
Jesus as one’s personal saviour, but must also complete one’s Christian life by
accepting the presence of the Holy Spirit (cf. Burton 1993, 6). Very few
congregations, however, include all the signs of the Holy Spirit, that is,
casting out demons, speaking and interpreting in tongues (glossalalia),
handling serpents, drinking powerful poison with no ill effects, and faith
healing. Most Pentecostal groups emphasize either faith healing or glossalalia
or both, and then eschew the other signs.
[20] Now if serpent handling is a legitimate and necessary
expression of the presence of the Holy Spirit, then we must ask either why the
other Pentecostal Christians do not handle serpents (which amounts to the impossible task of proving
a negative), or, why this practice is specific to some Appalachian people. Why
is serpent-handling so distinctly confined to that class of white Protestants
who have been most disadvantaged by the change from small-scale social autonomy
to large-scale proletarian status?
[21] Leonard reports an intriguing answer to this question:
serpent-handling Pentecostal-Holiness Christians believe that all five signs in
Mark 16:17-18 ought to be practiced, but it is not necessary for all Christians
to practice all five. As long as each of the five signs is practiced, then
Christianity as a whole is faithful to Mark 16. As long as these Appalachian
congregations practice the signs that other Christians won’t practice, namely,
handling serpents and drinking poison, then they are performing an extremely
valuable service for the rest of Christianity, both Pentecostal and non-Pentecostal
(Leonard 1999). Actually this does not exactly explain why others do not
practice those two signs. Instead it makes the question irrelevant.
[22] There is also a related historical question: why did serpent
handling arise in Appalachia just as industrial capitalism changed Appalachian
life so drastically? We conclude that the phenomenon of handling serpents is
more complicated than a Saussurian sign.
[23] Another relevant theory of symbol and ritual is that of
Victor Turner. In his book The Forest of Symbols (1967), Turner presents a method for
dissecting a ritual and inferring the signifieds that lie behind the individual
signifiers. First and foremost, a ritual and its symbols are situated within a
social structure. Considering that social structures contain tensions and
contradictions, one can expect the same things to be reflected in rituals (1967,
33; 1974, 45-46, 55). Likewise, social structures change, leading to changes
in rituals (1967, 20, 112-113; 1974, 24, 37, 44; see also Sullivan 1984, 161).
[24] Next, the individual symbols are the building blocks of
ritual, so that a full understanding of a ritual requires an understanding of
what the symbols represent, and how they represent those thoughts (Turner 1967,
19, 45, 48, 132). "Every symbolic item," writes Turner, "is
related to some empirical item of experience" (1968, 43). Different
participants might interpret a symbol differently, and this must be taken into
account, but ultimately the anthropologist analyzing a symbol ought to be able
to trace one or more signifieds behind the signifier.
[25] This approach is reflected in a second style of interpreting
serpent handling in which the serpent is a religious symbol of a secular evil.
It is said that mountain people resorted to religion to "sanction and
preserve the traditional order" (Billings 1990, 12). In general,
Pentecostal Christianity attempts to make the gifts of the Holy Spirit
approximately as prominent as the grace of salvation that comes from the death
and resurrection of Jesus Christ. Pentecostal-Holiness is an Appalachian
variant of the larger Pentecostal tradition which offered more emotion and less
social hierarchy in their worship styles. Pentecostal-Holiness churches also
serve small communities without being part of any larger church organization.
According to W.J. Cash, "it is just in this decade of most rapid expansion
of Southern industrialism, of speculation, and of the widening of the physical
gulf between the classes that we find such sects (i.e., Pentecostal-Holiness
churches) establishing themselves widely and solidly in the South—in the
mill villages, in the poorest sections of town, and even in the
countryside" (Cash 1969, 296; see also Rosten 1975 regarding the history
of Pentecostal-Holiness groups). These Pentecostal-Holiness churches gained
popularity by filling a "religious vacuum" created by rapid
socio-economic changes (Parker 1969, 196). Pentecostal faith and practice,
then, was a response to the "anomie that had resulted from the emerging
capitalism" (Kimbrough 1995, 93). All of this is congruent with Anthony
Wallace's well-established theory that religion may be used to symbolically
recover a by-gone world that has been erased by social change (Wallace 1956).
[26] One feature of Appalachian Pentecostal-Holiness faith was the
view that the Devil had brought corrupt capitalism and its consequences to the
mountains. Considering that the Holy Bible sometimes attributes the form of a
snake to the Devil, and that dangerous snakes were a well-known part of the
natural world in the mountains, then one can understand how some people were
"primed to believe George Hensley when he preached that the snake was the
Devil... The snake became a symbolic intermediary in the contest with the evil
capitalists" (Kimbrough 1995, 95). We also note that many other religions
use serpents as symbols of evil (Mundkur 1983; Birckhead 1993; Daugherty 1976).
[27] According to Stephen M. Kane, the serpent is interpreted by
many Holiness people as:
Man's worst enemy in the animal kingdom, a creature governed
by a more or less unremitting urge to hurt and kill ... The serpents of the present
day are animated by the spirit of the Devil, or as some would have it, by a
mean spirit akin to that of the Devil (Kane 1987, 115-127).
Then, when the serpent-as-Devil is equated
with capitalism, the disintegration of traditional mountain life is morally
equivalent to being expelled from the Garden of Eden. To be tricked out of the
rights to one’s land is equivalent to eating the apple offered by the serpent:
foolish and tragic, but also irresistibly tempting, because the agent of evil
cleverly conceals the true consequences until it is too late to undo one's
actions. "The capitalist system that coal mining introduced was a
frightful distortion of the mountain social and economic order, and snake
handling represented a form of supernatural retaliation" (Kimbrough 1995, 96).
Handling serpents in church services provided mountain people with a symbolic
sense of control over their lives, and power over the evil one who had stolen
so much from them. "If not bitten, and if able to handle the snakes, the
worshipers then gain 'victory' (over the Devil)" (Schwartz 1960, 410; see
also Daugherty 1976). In the words of J. Kenneth Moore,
Snake Handlers are sending a defiant socio-economic message
in their sermons, testimonials, and songs. This message, clothed in double
entendre, states that though the Snake Handlers may not be economically
powerful, they are spiritually powerful. This power, derived from God and
proven through acts of faith, elevates them, they believe, to a position
superior to those who have not found the true way to salvation (Moore 1968, 11-28).
As Victor Turner says of certain ritual
dramas, the "structurally inferior" became the "morally and
ritually superior"; "secular weakness" became "sacred
power" (Turner 1968).
[28] This style of analysis is also found
in a very eloquent and sympathetic account of serpent handling by Mary Lee
Daugherty:
The handling of serpents is their way of confronting and
coping with their very real fears about life and the harshness of reality as
experienced in the mountains in years gone by and, for many, even today
(Daugherty 1976, 235).
This view is entirely congruent with two
important features of Victor Turner's analysis of ritual. First, ritual is
generated by social tensions and contradictions, and it reflects those
conditions, which is to say that a ritual is a dramatization of social
conflict. Secondly, a complete understanding of a ritual requires one to trace
back from a symbol to the meaning, or the multiple meanings, which it represents.
And so we have a tension between poor Appalachian people and the capitalism
which exploits them, plus a dramatization of that tension. We also have a
chain of signification—serpent, Devil, evil, capitalism— which
explains how the serpent-as-symbol fits into Appalachian Pentecostal belief and
practice. Thus the unique ritual of handling serpents is connected to
large-scale social phenomena, and a sacred event is articulated with secular
processes.
[29] It is clear, we trust, that this line of thinking produces a
more complete understanding of serpent handling than that offered by the basic
Saussurian explanation. Even so, there is still a problem with the question of
instrumentality. People often engage in ritual with the expectation that there
will be a particular result: that they can either control their circumstances,
or perhaps change their condition, by executing a ritual. In Turner's theory
of ritual, one posits that a tension has arisen in the social order, and that a
ritual is enacted to address that tension, and that in the end the ritual helps
the community heal the tension or restore some kind of equilibrium (Turner
1967). But there is no such social healing in Appalachian Pentecostal serpent
handling. No one would seriously claim that serpent handling causes the owners
of coal companies and poor white Appalachian people to appreciate each other,
or that it results in good feelings about common interests. On the contrary,
it seems to consolidate and intensify the tensions that set capital against
proletariat in the Appalachian coal fields.
[30] Another theory about ritual as a reflection of social
structure comes from Mary Douglas. In her book Purity and Danger, Douglas devotes much attention to the
idea that the identities of social groups have boundaries and margins which are
constantly threatened by external dangers. Her most vivid example is that of
the Indian caste system: the members of a high-ranking caste worry that people
from lower castes will intrude into their world and pollute it. These feelings
of boundaries, margins, and intrusions are then expressed, says Douglas, in
certain rituals, particularly bodily rituals and cooking rituals. The
integrity of the human body stands for the integrity of the social order; the
margins and boundaries of the body represent the margins and boundaries of the
social system; and something which does not belong in the body symbolizes a
threat to the social system. "The powers and dangers credited to social
structure (are) reproduced in small on the human body," says Douglas (1966,
115). Ritual, then, is "an attempt to create and maintain a particular
culture ... Rituals enact the form of social relations, and in giving these
relations visible expression they enable people to know their own society"
(1966, 128).
[31] That being so, a third style of interpretation offers a
theory of instrumentality. It concurs with the idea that serpent-handling
rituals arose as a result of capitalism reducing Appalachian people to a rural
proletariat dispossessed from its lands, and then it intensifies that premise:
the cultural and socio-economic deprivations of many Appalachian people are so
severe that almost everything of value, whether material or symbolic, has been
taken from them. How, then, can they keep something for themselves? How can
they insulate something, anything, of mountain culture from the depredations of
the outside world? How can they keep themselves from being totally absorbed by
the large-scale processes that have caused them so much pain and loss?
[32] In this line of analysis, serpent handling is an answer to
those questions of identity. The handling of dangerous snakes within Christian
services is so peculiar, so exotic, so bizarre, that it will never be stolen
from the impoverished people of Appalachia. So much else has been stolen, but
this is one of the distinctive features of mountain life that will never be
taken away. In the words of Bill J. Leonard, “serpent-handlers seem determined
to resist domestication in both the text of scripture and their own religious
practices” (Leonard 1999, 232).
[33] Thomas Burton writes that serpent handling gives its
practitioners "a sense of community" which contrasts sharply with the
difficult socio-economic realities that they must acknowledge: "It
demonstrates at least to them that they are important, that they have power
over obstacles, that they are supported by temporal as well as eternal
forces" (Burton 1993, 130; see also Lawless 1988). Nathan Gerrard argues
that serpent handling offers a "promise of holiness [which] is one of the
few meaningful goals in a future dominated by the apparent inevitability of
lifelong poverty and idleness" (Gerrard 1968, 22-28). Men who were once
considered beneath the rest of society "become strong, brave, important,
big, as they challenge deadly snakes and drink strychnine" (Sims 1988, 130).
[34] This kind of commentary makes sense in light of Mary
Douglas's theory of symbols and rituals. To Douglas, symbols and rituals are
instruments by which social groups establish and protect their own unique
identities. They use these devices to define themselves as good and pure,
while diagnosing outsiders as impure and dangerous (Douglas 1966, 128).
Symbols and rituals, then, are a way to mark the boundary of a social order and
defend it against intrusions from the external world. Note that in this case,
it is the ritual of
handling serpents, and not the snake itself, which establishes the serpent-handlers’ symbolic
boundary. This, too, helps make sense of Appalachian serpent handling, for it
attributes both a positive purpose to those who handle serpents in their
worship services and a symbolic instrument for achieving that purpose.
[34] As we try to put serpent handling into a larger theoretical
framework, we are satisfied that most interpretations of Appalachian
Pentecostal-Holiness serpent handling conform either to Sausurre's concept of
signs, Turner's theory of ritualized social conflict, or Douglas's view of
symbolic boundaries, even though the various interpreters do not necessarily
refer to those three theorists. Another approach is Weston LaBarre's
psychoanalytic style, in which the snake is thought to represent the human
phallus and the handling of the snake is an attempt to work out certain psychic
problems (LaBarre 1962). We will not pursue this theory, however, for three
reasons. First, it greatly neglects the obvious socio-economic forces which
surround Appalachian serpent-handling. Secondly, we agree with James Peacock’s
commentary on psychological analyses of Pentecostal-Holiness religion. Peacock
does not deny that psychological processes may be relevant, but he emphasizes
that the Pentecostal symbols and rituals must be taken into account. The
various psychological approaches tend to overlook these elements:
[In] the psychological approach … little attention is given
to the forms [of the symbols and rituals] themselves. Though [E.M.] Pattison
purports to explain fundamentalist ritual, only 1½ pages of his 40-page
article is devoted to describing that ritual. LaBarre likewise gives little
attention to the forms of snake ritual. The assumption is apparently that ...
if one knows the psychology, one need not treat the ritual in detail or in its
own terms (Peacock 1984, 40-41).
Thirdly, even when one can specify some emotional features, we are
uncomfortable with the idea that subconscious conflicts are resolved in
conscious rituals: how can one consciously address a problem which is, by
definition, subconscious? (See also Gerrard 1968 and Goodenough 1974).
[35] Recently there have been some interesting changes in
Appalachian Pentecostal serpent handling. Before describing them, we present
some newer developments in ritual and symbolic theory which, we believe, will
help make sense of our observations.
[36] The deconstructionism of Jacques Derrida offers a startling
perspective on symbols and related phenomena. Derrida seized upon Saussure's
observation that relations between signified and signifier are usually
arbitrary, and he then radicalized that by saying that those relations are
entirely unstable: one cannot know a signified from a signifier, says Derrida,
since every signifier leads to nothing but more signifiers.
"Fundamentally nothing escapes the movement of the signifier and ... in
the last instance, the difference between signified and signifier is
nothing" (Derrida 1976, 22-23). Ultimately there is no such thing as a
"transcendental signified," according to Derrida, in which case
language and culture are nothing but the interplay of many signifiers, leading
only to other signifiers (Derrida 1972, 249).
[37] This idea, that culture is nothing more than a lot of
mischief with signifiers, also has a less radical interpretation. Some might
say that the relation between signifier and signified is unstable, but that the
signified still exists, even if our perception of it is problematic. One
problem in the instability of the signified/signifier relationship is that a
given signifier might be switched from representing one signified to
representing another. Not all contemporary symbolic theorists are
deconstructionists to the radical degree of Jacques Derrida, but a concern
about the instability of symbols is one of the main themes of current theories
about symbols and rituals. We will return to this point when we present recent
empirical observations of Pentecostal serpent handling in Appalachia.
[38] This brief commentary is certainly not a comprehensive review
of all theories about symbols and symbolism, nor is it meant to be. It is
highly selective, even in its discussions of Saussure, Turner, Douglas, and
Derrida. We have not addressed the theories of Edmund Leach, Claude
Levi-Strauss, Clifford Geertz, Jean Baudrillard, and other major theorists. We
present our information this way both because many interpretations of serpent
handling conform to the first three theories of symbols and rituals, and
because our more recent observations echo the last one. As we return to
Appalachian serpent handling and its interpretations, we ask our reader to keep
in mind these four concepts:
(1) Saussure's sign, in which the
signifier constitutes a clear, direct, and faithful representation of the
signified;
(2) Turner's view that a ritual embodies
social tensions, and that one must trace the meaning or meanings behind a
symbol in order to understand a ritual;
(3) Douglas's theory that rituals
represent a shared feeling that the integrity of the social order is threatened
by external dangers;
(4) A hypothesis that a signifier can be unhooked
from its usual signified, and then reattributed to a different signified.
That four-fold theoretical framework now enables us to make sense
of some recent developments in Appalachian Pentecostal serpent handling.
Religious and Secular Meanings in Appalachian
Serpent Handling
[39] Three decades ago, a person who handled snakes in Pentecostal
services told how he disliked attention:
I've been asked t' get out here and handle
serpents and let 'em take my picture. I don't believe in nothin' like that.
If somebody catches me in the spirit handlin' serpents, that's all right. But
I don't get out here for show. The only time that I handle anything is when
the Lord moves upon me— the Spirit of the Lord (Foxfire Magazine 1973, 40).
Subsequently, however, serpent handling in Appalachia has received
attention in Time, Newsweek, the N.Y. Times, the National Inquirer, Playboy, and Hustler, to name only a few such national
periodicals. There have been scholarly books, popular books, documentary
films, and stories on radio and television. James Birckhead notes that one
particular church in Tennessee, with fifty or less members, has appeared in
three documentary films, two documentary videos, and three shorter television
stories, not to mention two popular books, a volume of photos of Appalachia, a
doctoral dissertation, seventy-five newspaper stories, various national
magazine stories, and chapters in several books. Members of this church are
seen from time to time on television talk shows and are heard on radio programs
(Birckhead 1993, 174).
[40] How, then, do the more recent forms of media attention depict
serpent handlers? Birckhead has written extensively about this media coverage,
emphasizing how the media sensationalize serpent handling and dehumanize
serpent handlers (Birckhead 1987; 1993; 1996). He traces the process by which
a certain congregation is depicted in a BBC documentary in 1983 and an
accompanying magazine article. The report sets the congregation in a rustic
scene by presenting images of mountain farmers in overalls, but none of them
are members of the church in question. It implies that the church is
culturally isolated, but it ignores the fact that they tend to "work in
the many manufacturing plants in the area, drive trucks, or work in the local
tourist and hospitality industry" (1993, 183). The pastor is described as
a "lumberjack," without disclosing that he is also an entrepreneur
selling satellite dishes. The report shows an old photo of snake handling, but
it is not from that church. The church had largely abandoned serpent handling
and had explained this to the BBC crew, but the narrator accounts for the
absence of snake handling by saying that they "wished to keep their
secrets" from the outside world—even as they permitted the BBC to
record their rituals and their lives. The report includes a scene of a man
handling a snake outside the church, but he is from a different congregation,
and in fact his behavior and his presence are unwelcome at the church featured
in this "documentary" (Birckhead 1993, 182-84).
[41] Then there is Dennis Covington's 1995 book, Salvation on
Sand Mountain, which
received a great deal of favourable attention. Its genius was to forgo the
usual scholarly treatments of serpent handling—symbolism, psychoanalysis,
socio-economic theory, and so on—in favour of the more popular genre of
personal confessional. And so Salvation tells its readers, look at me, I'm wondering about
serpent handling; look at me, I'm hanging out with serpent handlers; and, in
the climax of the book, look at me, I'm handling serpents. That much is
harmless. After the climax, however, the author needs to exit the society of
serpent handlers, for it is clear that he is not about to make a regular habit
of holding poisonous snakes. He excuses himself from their world by suddenly
discovering that he does not like serpent-handling folks after all. (See also
Birckhead's commentary on Covington [Birckhead 1996]). We do not prefer that
Covington takes up snakes again if he does not want to. Rather, we find it
regrettable that the people who made his story so interesting are treated as
disposable props.
[42] In another account of serpent handling, The Discovery
Channel’s website posted a feature titled “Tabernacle of Death” in 1996. It
included some straightforward documentary-style information, but it emphasized
the pathetic and the macabre: a pastor is an unemployed roofer;
serpent-handlers cannot spell “strychnine”; a pastor has been convicted of
attempting to murder his wife, and so on. The titles and subtitles in the text
are written in crude, jagged blood-red lettering, as might be written by a
deranged person, or used in a horror film. The consistent theme of “Tabernacle
of Death” is that Pentecostal-Holiness serpent handling is macabre mixture of
faith, danger, and crime.
[43] While “Tabernacle of Death” is more lurid than other
accounts, there is nevertheless a general trend which frames Appalachian
Pentecostal serpent handlers in a series of stereotypes, caricatures, genre
conventions, and predictable stylistics, none of which are favourable to the
people they describe (Birckhead 1993; 1996). Complementing them are some
fictional accounts, including a 1986 performance of Jane Martin’s play, Talking
With …, which included a
scene of a Pentecostal-Holiness woman named Caro handling a serpent. Caro's
monologue emphasizes that some kinds of snakes make "a good show,"
and others do not. Both the actress playing Caro and the play’s director said
that they knew very little about Appalachian serpent handling, so they based
the character on the dangerous and depraved Southerners in Deliverance and related tales of Southern Gothic.
"Extreme fanaticism and sexuality," said the actress, was the key to
portraying a serpent-handling woman (Birckhead 1993).
[44] In a similar vein, an episode of The X-Files, from January 2000, depicted a church of
Tennessee serpent handlers, and contrasted them with a more conventional
congregation. A killer is using poisonous snakes to murder his enemies, and
the pastor of a local serpent-handling church is the prime suspect. The
Holiness folk are loud, sweaty, and emotional during their services. The
pastor has a crude Southern accent. His wife is said to have died from
multiple snake-bites during a church service. In his overwrought sermon, the
pastor justifies the practice in question: "People ask me why I handle
snakes. It's because Scripture tells me to." The story hints that the
pastor had an incestuous relationship with his daughter, and had gotten her
pregnant. Supposedly this explains why the daughter renounced her father's
congregation, and why the serpent handlers have kidnapped her to force her to
rejoin their church. One of the FBI agents, Dana Scully, observes that
"It's an intolerant culture," and her partner, Fox Mulder, replies
that black-and-white morality may be very powerful for people who feel
threatened by moral confusion. Meanwhile, the more conventional congregation
is shown to be tolerant, modern, and nonjudgmental toward the young unmarried
pregnant woman.
[45] By the end of the episode, it is revealed that the pastor of
the tolerant church was the one who had gotten the young woman pregnant, and
was also the murderer who had manipulated poisonous snakes to kill several
people. So the serpent-handling preacher is absolved of impregnating his
daughter and of killing several people, but he and his congregation are still
guilty of being sweaty, emotional, intolerant and morally simplistic, to name
only a few of their social vices. Furthermore, the real criminal was, like the
Pentecostal-Holiness folk, an expert snake wrangler.
[46] Notice a certain trend that runs through these cases: the
spiritual features of serpent handling are mocked, diminished, or ignored, while
the dangers of holding poisonous snakes remain both prominent and exciting. If
Appalachian Pentecostal-Holiness serpent handling is a combination of religious
faith and snake wrangling, then the former feature receives less and less
serious thought, while the latter feature becomes more and more prominent in
media accounts. This style of representation can make celebrities of those
serpent handlers who appear repeatedly in media accounts, but their celebrity
status is derived more from their snake-wrangling habits than from their
genuine religious motivations. After all, their religious motivations lead not
to celebrity but to notoriety, since religion equals depravity, in these
accounts.
[47] If this is so, how do serpent handlers react to this media
phenomenon? How does media coverage of Pentecostal-Holiness serpent handling
change the feelings and the behaviour of serpent handlers? Birckhead tells of
a pastor who demonstrated serpent handling to a newspaper reporter. He
admitted that "he was not fully anointed when he grasped the rattler and
dangled it over his head, but wanted to show it was real." Later he
appeared on a television talk show, where he "handed a snake to a female
saint who refused it because she did not have the anointing. She later stated
that the pastor was cross with her for not taking up the serpent, and had told
her that he did not have the anointing either and that he had wanted her to
show that 'sisters took up serpents, too'" (Birckhead 1982, 5).
[48] To summarize: Appalachian Pentecostal-Holiness serpent
handling is often a combination of religious faith and snake wrangling.
Earlier interpretations, whether conforming to Saussure, Turner, or Douglas,
paid serious attention to the forms and sources of religious faith, even when
they connected them to socio-economic determinants. More recently, however,
fictional, journalistic, and sensational stories tend to ignore or scorn the
religious features, and focus instead on the exciting danger of handling
poisonous snakes. How, then, do serpent handlers in Appalachia react to these
changes?
[49] We pursue these questions by presenting some observations
from ethnographic work undertaken by the first author, Keith G. Tidball,
between 1996 and 1998. Ethnographic methods included participant-observation
in worship services at a serpent-handling church in Eastern Kentucky; visits to
the homes of members of the congregation; twenty-three interviews with church
members; and, an analysis of 87 photographs from seven decades, mostly in
newspapers and magazines, showing people handling serpents during church
services. After presenting these observations, we will return to the question
of how media affect ritual and symbol.
[50] Early in 1996, Appalachian serpent handling received a great
deal of new media attention when a serpent handler died after being bitten
during a Pentecostal-Holiness worship service in Southeastern Kentucky. Tidball
and another researcher, Brian King, visited the church in question shortly
thereafter. They began by going to the home of the church's pastor, a
third-generation serpent handler, in a low income housing project, at a time
when the pastor, his wife, and other members of the church were especially
sensitive to lurid media accounts in light of the recent snake-bite death. The
pastor's wife explained that "the real reason we are in church is to
worship God. Snake handling comes after that. We believe in it, but it's not
everything." In her view, outsiders were only interested in hearing about
the snakes, and not about the other signs presented in Mark, e.g., healing the
sick. Those comments seemed to indicate that serpent handling should be firmly
placed in a context of Christian values and beliefs. The family's living room
contained many photographs of serpents and of snake-handling services, plus a
stuffed snake, coiled and poised to strike, with fangs bared, on top of the
television. But the room contained no Christian iconography per se.
[51] Likewise, the pastor's contributions to the conversation were
heavily weighted toward the nonreligious features of dealing with snakes,
including how to obtain them, how to keep them healthy, and how to dispose of
them. Another frequent topic was snake bites. The pastor had recently
recovered after nearly dying from a bite that had kept him bedridden for a
week. He spoke with admiration about Dewey Chafin, a Pentecostal serpent
handler in Jolo, West Virginia, who is famous for having survived more than 120
snake-bites. Mr. Chafin is said by scholars who know him to be very modest,
not bragging about his dangerous experiences with snakes. But he is a hero to
other Pentecostal-Holiness serpent handlers, despite his own modesty.
[52] These initial observations raised a provocative question:
with all that has been said and written regarding Appalachian Pentecostal
serpent handling, why were these images of snakes, and words about snake
handling, not closely connected to religious symbols? Were these snake symbols
disarticulated from Christian meanings? If so, how and why?
[53] Before we pursue that topic, we can affirm that serpent
handling was indeed a part of this church's Christian rituals. That first
visit included a service which began with about an hour of music from three
acoustic guitars, some cymbals and some tambourines. Gradually the rhythms
quickened, the volume increased, and the members' movements grew more animated.
Then two young women who were singing ecstatically on the altar platform
noticed that the pastor was gently shaking a wooden box next to the altar.
Their expressions changed and they hurried off the platform. One of the male
members stretched a rope between the altar platform and the rest of the church.
The pastor raised two snakes heavenward, then tossed the larger snake to the
man who had roped off the front. That man smiled at the snake, caressed it,
and held it high.
[54] The serpent handling electrified the congregation. They
shouted, and waved their hands about, and danced in place. The music stopped
abruptly, and the pastor launched into a fiery sermon about faith and
resistance to vice, while a snake slowly writhed in his hand and coiled itself
around his wrist. Then he and the other fellow returned the two snakes to
their box, as the congregation breathed a collective sigh of relief. Other
services on other occasions had no serpent handling. It seems impossible to
tell beforehand when the snakes would be brought out, although they were
usually on hand in their cages by the altar.
[55] That service and others during the next two years contained
an array of tangible symbols: snakes, a bottle of poison, musical instruments,
olive oil, wine, and bread. There were no large crosses, stained-glass
windows, or Christian flags.
[56] After the occasion of those initial observations, the pastor
got a better job and a higher salary with a coal company, whereupon he and his
family were able to live in a single-family house and buy a newer car. A visit
to the new home included a gracious tour by the pastor and his wife. Next to
the television was a library of videocassettes: the pastor's serpent tapes, as
he called them, from various television interviews. The stuffed snake sat
prominently on a curio cabinet in the dining room, and the hallway included two
large collages of the pastor and others handling serpents. Most of the photos,
he explained, were copies that reporters had sent him. In the bedroom was a
large wooden snake pen containing several poisonous snakes, close beside the
bed, and in the kitchen freezer was a recently deceased canebrake rattler. The
tour included a viewing of television stories about the pastor from local and
national TV stations, especially the network tabloid program A Current
Affair.
[57] After a service on another Sunday, the pastor spoke at length
about snake lore. There were three ways to get snakes, he explained: (1)
trading them with other snake-handlers, or receiving them as gifts; (2) buying
them from strangers or brokers; and, (3) capturing them in the woods. The
first method was the most common, he explained. Snake-handling pastors from
neighbouring states make up a network for trading poisonous reptiles, giving
and receiving according to need. Numerous times after Sunday services, the
male members of the congregation would huddle together to discuss snakes.
Where the new snakes came from; how one likes to eat one kind of prey, while
another prefers a different meal; which congregations need to replace a snake
or two; and so on.
[58] Buying snakes from strangers or brokers happened somewhat
less often. One reason was that if the stranger was a sensation-seeking
reporter or an undercover police officer, then the buyer and his congregation
could suffer. The pastor emphasized that he was very cautious in these
dealings. He would drive to a pre-arranged location away from the church to
meet the seller.
[59] Often, said the pastor, the snake would be held in a burlap
bag or a pillowcase. He found this amusing. To experienced snake wranglers,
whether religious or not, a pillowcase is so thin that it does not prevent a
poisonous snake from biting the wrangler through the fabric. The pastor
explained that he would reach into the bag—he did not say how—and
pull the snake out to inspect it. He loved picking up those snakes, he
claimed. This raised an interesting question: if one is bitten in those
circumstances, as opposed to receiving a bite during a worship service, does it
reflect one's Christian faith the same way? In that case he would be "on
his own," he said, for it would be outside of the "anointing of
Jesus."
[60] The third method, capturing snakes in the woods, took place only in the
Spring. That is when the snakes first come out from their shelters, and are
still lethargic. Often, groups of snake handlers hunt together, and when they
capture a serpent they handle it spontaneously. After obtaining the snakes,
they had to be contained in a safe place. One is a wooden transport case,
about eighteen inches wide by thirty inches long and four inches deep, with two
hinged doors on the top, which are covered with plexiglass or fine-mesh chicken
wire. These snake boxes, as they are called, are handmade, and often have
scriptural passages or inspirational slogans carved into them. Another
container is a holding pen, about three feet by five feet by four feet, also
with two hinged doors on top. These pens are filled with wood chips and logs
to simulate the snakes' natural terrain, and heated with a utility lamp and a
75-watt bulb. A snake crook—an instrument like a golf putter with a hook
on the end—is used to move the serpents between the boxes and the pens.
While the snakes are held in captivity, they are treated as pets and are well
cared for. They are fed a rat or a hamster every couple of days, and do not
require much maintenance otherwise.
[61] After a snake dies, it is frozen as soon as possible.
Afterwards it might be stuffed and mounted by a taxidermist, but it might also
be skinned to make a belt or a guitar strap. The pastor and other male members
of the church have shown in their conversations that they are very familiar
with snake behavior and ecology, including sexual dimorphism, foraging theory,
predator/prey relations, perceptual mechanisms, mating systems, habitat
selection strategies, thermal ecology, venom chemistry, and other topics. In a
memorable demonstration, the pastor had a viper strike at his wallet, so that
one could see how quickly they bite. When a visible amount of venom remained
on the wallet, the pastor explained that the venom lost its strength when
exposed to oxygen.
[62] Dennis Covington affirms the same kind of thing elsewhere:
serpent handlers are "always trading specimens back and forth. It appears
to be a ritual after services for handlers to give snakes to one another, like an
offering of brandy or after-dinner mints or hand-rolled cigars in other circles
... They often become objects of affection in the homes of handlers and their
families" (Covington 1995, 146).
[63] At various times, the pastor affirmed that to handle snakes
is to demonstrate, in Biblical signs, that one is a true believer. On other
occasions he spoke at length about the personal enjoyment of snake lore and
snake wrangling. Other times he gave a third motivation: to promote and
preserve mountain culture. We do not imply anything pejorative in this. There
is nothing wrong with multiple motivations. Nor is it unusual that those who
handle serpents know a lot about the behavioural ecology of snakes. Rather, we
raise this point to indicate that the religious features of Pentecostal serpent
handling must co-exist with its secular features. The latter are shaped
largely by strong media influences, and so we ought to understand what role
they play in this ritual practice.
[64] As we develop the idea that media-driven secular meanings are
intruding upon the traditional spiritual meanings that have inspired
serpent-handling practices, we understand that our interpretation requires more
substantiation than the words and actions of one pastor. We now draw attention
to two kinds of recent changes in Appalachian Pentecostal serpent handling that
make sense in light of our interpretation. The first concerns the direct
interaction between snakes and snake handlers during this ritual practice. In
photographs from the 1920s through the 1940s, those who handled serpents during
church services usually had entranced, stricken facial expressions as they
looked upon the vipers in their hands. This, of course, is congruent with the
idea that the serpent embodies evil. But during services at the church in
question in Eastern Kentucky in the late 1990s, the snake handlers typically
look at the serpents with friendly smiles as they hold them. They caress the
creatures often, and in one especially memorable instance, a member kisses the
snake he holds. Consider how different this is from treating a snake as a
repulsive and despicable creature.
[65] In the same vein, a photograph in Thomas Burton’s book, Serpent-Handling
Believers, shows a
believer’s arms cradling a Bible, but the man also shows plainly that he has a
tattoo of a rattlesnake on his right forearm (Burton 1993, 170). If the image
of the Bible establishes his credentials as a Christian, and if the rattlesnake
indicates the embodiment of evil, then how could the believer be proud of both
at the same time? He cannot. Instead, we interpret this photo to mean that he
is showing both that
he is a Christian and that
he is comfortable with dangerous snakes, which is to say that in this case,
serpent handling is less a confrontation with the devil than a source of pride.
[66] Then there is significance of being bitten. It is clear from
both scholarly and popular descriptions that, in the earlier phases of
Pentecostal serpent handling, it was a sign of spiritual strength to handle
serpents without being bitten. Thus did a saintly worshipper demonstrate a
holy power over the devil. In that understanding, to be bitten by a snake
during a church service was an indication that one's spiritual status was not
what it should be. A death resulting from a worship-related snakebite was a
terrible dilemma. The victim had exhibited righteousness in belonging to a
Pentecostal-Holiness church and handling serpents, but his or her suffering
implied that the power of the devil had been stronger than the spiritual
goodness of the person and the church.
[67] Now, however, some serpent handlers gain fame and prestige
for being bitten multiple times and surviving those injuries. Dewey Chafin of
West Virginia is the best known of the Appalachian serpent handlers, for people
say with admiration that he has experienced more than 120 incidents of being
bitten by poisonous snakes. And, in the Kentucky congregation described in
this paper, men are proud of their bites, their scars, and their recoveries.
They talk freely of these experiences. One male member can recount eight
bites, including one from a copperhead which left two fingers immobilized on
his right hand. This, too, stands in stark contrast to the religious meanings
that steered the earlier history of Pentecostal serpent handling.
[68] The habit of affectionately caressing these dangerous
creatures during church services is incomprehensible in light of the early
history of Pentecostal-Holiness serpent handling, which sometimes included
treading on the vipers. The same is true of taking pride in being bitten
multiple times. Both of these practices invert the well-established and
often-observed symbolic relationships in which serpent handling constitutes a
righteous confrontation with evil.
[69] And yet, the people who do these things are surely
Pentecostal-Holiness Christians, and they trace their own practices to the
earlier days of Appalachian Pentecostal-Holiness serpent handling. To make
sense of this puzzle of symbols, we must take into account a recent influence
which can profoundly affect the ways people see themselves, the ways they want
to be seen, and the ways they employ symbols of themselves. This is the kind
of media coverage which has descended upon some Appalachian serpent-handling
churches. With all due respect to earlier observations and earlier scholarly
interpretations, we argue that a full understanding of contemporary Appalachian
Pentecostal-Holiness serpent handling must recognize that the secular media
have the power to confer a desirable social status on people who have been
socio-economically deprived and oppressed. To be featured in an on-going
series of newspaper and television stories about serpent handling is to be
changed from being almost a nobody to being a celebrity.
[70] The reader may object that this kind of status is trivial,
superficial, transitory, and exploitive. We do not dispute that. But we
insist that, to many people, being a media celebrity—even a minor or
local celebrity—is an extremely desirable status according to the
cultural values of today's America. To be seen often on TV, and to be
mentioned often in the print media, is really to be someone.
[71] The catch is that one cannot ordinarily expect to have one's
celebrity status on one's own terms. For the most part, the media accounts of
serpent handling in Appalachia do not do justice to the Christian theology that
surrounds Mark 16:17-18. Nor do these reports include hermeneutic lessons
about chains of signification like serpent-devil-evil-capitalism. These
stories are uninterested in the subtleties of religious ritual and are not
likely to tell stories about capital versus proletariat. Instead, they centre
on the excitement of willingly flirting with dangerous snakes, whereupon they
depict Appalachian Pentecostal serpent handlers in terms of sensational snake
wrangling. This kind of representation de-Christianizes these people by
separating their distinctive practice from its religious context, so that they
are equated with the side-show snake wranglers of traveling carnivals. And
then, if some Pentecostal serpent handlers respond favourably to this secular
form of celebrity status, and if they behave so as to maintain and enhance it,
then a peculiar cultural process is well under way. Gone is the feeling that
the serpent symbolizes the evil institutions that have robbed people of their
rightful status; replacing it is the feeling that the serpent is the source of
a desirable status. Serpent handling is more a path to celebrity than to
sainthood. The media construction of this already-marginalized religion thus
tends to eviscerate its spiritual meaning, and to replace it with a secular
celebrity phenomenon.
[72] This interpretation, we believe, brings together numerous
observations which are otherwise incongruous in relation to each other: (1) the
early history of Appalachian Pentecostal serpent handling, including the
religious meanings that animated the symbolism of that practice; (2) the
invasive, prurient, and sensational attention from recent television, radio,
newspapers, magazines and films about serpent handlers in Appalachia; (3) the
pastor's view of himself in relation to poisonous snakes, such that his genuine
Christian belief must make room for his secular celebrity (which is also shared
by some other men in the same congregation); (4) the habit of affectionately
caressing the snakes that previously embodied so much evil; and (5) the pride
which some serpent handlers derive from their multiple snake bites.
[73] Our views also imply a problem of a fault line between
liturgy and performance in the handling of serpents. This practice used to be
entirely religiously-inspired liturgy for the spiritual benefit of small
congregations. There have also been snake wranglers in carnivals who entertain
visitors for entirely secular reasons. But if it is true that secular
entertainment considerations are infiltrating into Pentecostal-Holiness
practices, and if media are present to portray these practices, then liturgy
and performance could be present in the same church services.
[74] It is our hope that others who observe and interpret
Appalachian Pentecostal serpent handling will be alert to the issues and
information we have presented here, and will notice whether serpent handling is
changing in other congregations as well. If so, it is worth discovering which
churches embrace and internalize secular celebrity, and why, and which adhere
to a more traditional, strictly religious experience of serpent handling. Is
this changing Pentecostal-Holiness theology? How?
Coda
[75] We conclude by recalling the idea that serpent handling is a
cultural device for protecting a part of one's identity from being co-opted by
the external forces which have stolen almost everything else, both material and
symbolic, from the lives of low-income white Appalachian people: that
Pentecostal-Holiness serpent handling is purposely so peculiar that it will
never be stolen by outsiders. We find it convincing that, at one time, this
was one of the motivations behind serpent handling. It is not realistic,
however, to expect this to remain static. Some kinds of attention, whether
labeled journalism or entertainment, possess a powerful cultural alchemy which
co-opts serpent handling.
[76] And so we interpret these developments as a case of unstable
relations between signifier and signified. The ritual of serpent handling
becomes detached from its religious meanings, and connected instead to the
secular ethos of achieving fame. The signifier/signified relationship has come
undone. The signifier—a practice of handling dangerous snakes—is
the same, but the signified is very different. This happens both in some nonfictional
journalism (newspaper and newsmagazine stories, television news programs, film
documentaries, and books), and in forms of entertainment which owe nothing to
the standards or values of journalism (Talking With ..., Tabernacle of Death and The X-Files). Whether journalistic or fictional,
many of these accounts indicate that serpent handlers are either religious in a
most macabre way, or secular in a frivolous way. If those who handle serpents
in their Pentecostal-Holiness liturgies had to choose between these two styles
of representation, it would be a grim choice indeed.
[77] But can serpent handlers really choose? These various styles
of representation appear repeatedly without needing permission from those they
represent. And so a special symbol of Appalachian culture is being
expropriated twice by external cultural influences: first when some
Pentecostal-Holiness Christians internalize a secular image of themselves as
snake-wrangling celebrities, and again when serpent handling serves as a code
for the supposed depravity of Appalachian people. A hundred years ago, the
clever theft of mineral rights by coal companies left some mountain people with
little more than an exotic symbolic practice to call their own. Now even that
unique practice is being gobbled up by sensation-seeking media.
[78] We are not cheerleaders for serpent handling. It is not for
us to say whether people should include poisonous snakes in their worship
services, or whether they should speak with reporters, or whether they should
enjoy being celebrities. Our lesson, rather, is an observation about a
relation between local, distinctive cultures and the larger, cosmopolitan media
that surround them. If national and international stories about serpent
handling and other unique practices constitute a kind of connection between a
distinctive culture and the larger cosmopolitan civilization around it, then we
can say that Appalachia is being connected to the rest of the world. Its
cultural isolation is eroding. But this is happening almost entirely on terms
established by the cosmopolitan media, with little regard for the interests or
values of the people of Appalachia. Surely there are better ways for serpent
handlers and other Appalachian people to have identities in relation to the
worlds beyond the mountains.
Acknowledgments
We are most grateful to these people whose comments and advice
have assisted us: Mary Anglin, Emily Bernier, Dwight Billings, R. James
Birckhead, Don Davis, Benjamin Gallagher, Brian King, L. Eric Lassiter, Peter
Little, Ron Pen, Celeste Ray, Scott Schwartz, Shauna Scott, and Monica Udvardy.
The imperfections of our paper are our responsibility, not theirs.
We also thank the members of the Pentecostal-Holiness congregation
which is described in detail in this paper. They were extremely generous in
talking about their lives and what serpent handling means to them. In the
history of research on Appalachian serpent handling, some writers are very
protective of the people they study; in other cases there are hard feelings
when Pentecostal-Holiness Christians conclude that they have been misused.
With that in mind, we hope we will not be adding to the kinds of negative
portrayals that have displeased some people. We know that some accounts of
serpent handling use confidentiality to protect their informants, while others
freely name the informants and their churches. We know that it is not
realistic to promise total anonymity, but we maintain a measure of
confidentiality: the members of the congregation can and will decide for
themselves whether to identify themselves in this article or in any other
descriptions of them.
Finally, we acknowledge generous funding to Keith G. Tidball from
the University of Kentucky Research and Creativity Grants, which greatly
assisted this research.
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