Volume 16: Summer 2007

What Would Buffy Do? The Vampire Slayer as Spiritual Guide.
- Randall M. Jensen, Northwestern College (IA)

 printable version


Walter Benjamin, Religion, and Aesthetics: Rethinking Religion Through the Arts.
- Timothy A. Shorkey, Wayne State University

 printable version


Spiritual Values in Peter Jackson’s The Lord of the Rings.
- Maria Beatrice Bittarello, University of Stirling

 printable version


Romancing God: Evangelical Women and Inspirational Fiction.
- Andrew Smith, Vanderbilt University

 printable version


The Love There That’s Sleeping: The Art and Spirituality of George Harrison.
- Stephen J. H. Tu, Toronto School of Theology

 printable version


From Homer to Harry Potter: A Handbook on Myth and Fantasy.
- Chris Klassen, Wilfrid Laurier University

 printable version


The Gospel According to the Beatles.
- Thomas M. Mullen, The University of Richmond

 printable version


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The Gospel According to the Beatles.


Turner, Steve. Louisville, KY: Westminster John Knox Press, 2006. 254 pp., $19.95 (USD). ISBN: 0664229832 (cloth).

[1] The Beatles were spiritual apostles of sorts who may not have explicitly sought converts, but they evangelized a kind of gospel that resonated with numerous devotees across a broad spectrum of beliefs. That is the essence of the richly detailed The Gospel According to the Beatles, by veteran British music writer Steve Turner. Turner provides remarkable depth and range in exploring the individual spiritual sides of John, Paul, George and Ringo, and their collective and confused religiosity that both reflected their culture at the time and helped transform it.

[2] Turner is a prolific music writer whose previous books include A Hard Day’s Write: Stories Behind Every Beatles Song (Carlton, 1999?), The Man Called Cash: The Life, Love, and Faith of an American Legend (Thomas Nelson, 2005), and Hungry for Heaven: Rock ‘n’ Roll and the Search for Redemption (Intervarsity Press, 1995). In his latest work, he offers a comprehensive look at the complicated personal and collective faith struggles of each of the Beatles. Turner combines the investigative skills of a reporter with the diligence of an historian as he cuts through some of the myths and mysticism that surround any discussion of the Beatles and religion. He traces the religious roots of each Beatle and painstakingly explores their personal wanderings in and out of various Eastern religions with different degrees of enthusiasm. He returns to familiar and oft-quoted comments about how the group was regarded by conservative Christian groups after Lennon remarked that the Christianity was dying and that Beatles were more popular than Jesus.

[3] LSD and other drugs get considerable credit for the group’s spiritual awakening. Turner notes that the Beatles were initially a bit prudish about psychedelic drugs—McCartney, in particular—but seemed comfortable with pot, whose effects were not as dramatic. Harrison and Lennon were the first of the group to experiment with LSD. The occasion, Turner chronicles, was a dinner they attended with their partners Pattie Boyd and Cynthia Lennon and dentist John Riley. After a meal at Riley’s home, Riley gave the couples LSD-soaked sugar lumps in their coffee, apparently without telling them. The impact was almost immediate, Turner writes, and “it was initially a disturbing experience, with furniture apparently shrinking and elongating before their eyes and colors burning with a violent intensity” (115). The role of LSD was profound; in 1970, Turner writes, Lennon said, “God isn’t in a pill, but LSD explained the mystery of life. It was a religious experience” (111).

[4] The experience of having fame, fortune, and all the drugs and material goods they desired sparked a religious hunger in all four Beatles. In different ways, they felt emptiness, and Turner chronicles their search for more and deeper meaning to their lives. He recounts their visits with gurus and spiritual masters, and pilgrimages to India, San Francisco, and other places where they sought some enlightenment. In many cases, Turner writes, the Beatles found that others were looking to them for spiritual guidance, a concept that both flattered and frightened them. “The youth of today” says Lennon in 1967, “are really looking for some answers, for proper answers the established church can’t give them, their parents can’t give them, material things can’t give them” (134). In the most horrific expression of this, Turner recounts, Charles Manson thought “the Beatles were addressing him in their songs, urging him to bring on the end of the world” (167). Manson perverted the message—or gospel, as it were—that the Beatles were spreading. With songs such as “All You Need is Love” and “Let it Be,” for example, they were expressing beliefs much closer to their Christian roots than perhaps they would like to have acknowledged.

[5] Ultimately, during and after their breakup, each of the Beatles continued his exploration for spiritual meaning even as diverse groups of fans frantically scrutinized their songs for guidance and direction. As they aged and matured, they wrestled with a great restlessness that spurred them on past the fame and rancor to try to fill the emptiness they felt. Said Harrison said in 1998, “Everything else can wait, but the search for God cannot wait.”

Thomas M. Mullen
The University of Richmond
tmullen@richmond.edu

 

 

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