Volume 4: Summer 2003

Secular Steeples: Popular Culture and the Religious Imagination
- Dan Clanton

 printable version


The Gospel According to The Simpsons: The Spiritual Life of the World's Most Animated Family
- Julien R. Fielding

 printable version


Rock n' Roll Jews
- Michael J. Gilmour

 printable version


Riders for God: The Story of a Christian Motorcycle Gang
- Howell Williams

 printable version


Reading is Believing: The Christian Faith Through Literature and Film
- John Vassar

 printable version


Christianity Incorporated: How Big Business is Buying the Church
- Michael Van Dyke

 printable version


Spiritual Merchants: Religion, Magic, and Commerce
- Sean McCloud

 printable version


Religion and Popular Culture in America
- Frank Ferreri

 printable version


Film As Religion: Myths, Morals, and Rituals
- Donna Bowman

 printable version


The American Spiritual Culture: And the Invention of Jazz, Football, and the Movies
- William Michael Ashcraft

 printable version

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Pinsky, Mark I. . Louisville: Westminster John Knox Press, 2001. 164 + xiii pp. $12.95 US. ISBN: 0-664-22419-9 (PB).

[1] Viewers tune into The Simpsons every Sunday for a variety of reasons. Maybe they recognize their neighbors or themselves in the characters, or perhaps they appreciate the show's brand of satirical humor, which spears everything from political systems to plastic surgery. But ask the average person why he or she tunes in and rarely will one hear "because it teaches spiritual values." And that's why Mark I. Pinsky's The Gospel According to The Simpsons: The Spiritual Life of the World's Most Animated Family proves a revelation. Even someone such as I, who has watched since the beginning, was surprised to learn that "fully a third of all Simpsons episodes include at least one religious reference" (8).

[2] Over the course of the book - in 13 chapters and 161 pages - Pinsky examines how religion and spirituality is used in The Simpsons. But first, in his introduction he puts everything in context, indicating how consistently popular the show has been, what its detractors have said and, finally, what theologians have found. As for Pinsky, who himself covers religion for the Orlando Sentinel, he explains that "tuning in nearly a decade after the series premiered, I found God, faith and spirituality in abundance in The Simpsons" (5).

[3] Although it might seem logical to divide a book such as this by religious worldview, Pinsky instead has taken a more haphazard approach. In some chapters he looks at broader issues, such as moral dilemmas and divine imagery, while in others he dissects a particular character, such as Ned Flanders or Lisa Simpson. The chapters are hardly uniform, either. The one on heaven, hell and the devil lasts just five and one-half pages while the ones on Flanders and its adjacent chapter, "Church and the Preacher," are 18 pages each. Furthermore, by placing the longest chapters one right after another (and at the midpoint, no less), the book begins to drag - unless, of course, the preacher and Ned are your favorite characters. And they aren't mine.

[4] Pinsky wants to be inclusive in the religions he covers; however, he sticks primarily with what he seems to know. Therefore, non-Western religions are given short shrift. Chapter 11 (titled "Miscellaneous: Hindu! There are 700 Million of Us!" - which borders on the offensive but is actually a line taken from an episode) tackles the belief system of Apu, the owner/operator of the local Kwik-E-Mart, but then never mentions anything about Buddhism. In the author's defense, he has taken on an enormous challenge. To be completely accurate, Pinsky admits the ideal way to prepare for such a book would be to watch all 300-plus episodes with a notebook in one hand and a remote in the other. Instead, he saw close to 150 episodes and, as a supplement, used summaries on line at The Simpsons Archive (www.snpp.com) as well as several bound sources. (If he had watched every episode more meticulously, he would have heard Sideshow Bob mention the first two Noble Truths of the Buddha in "Black Widower," which aired during season three.)

[5] The trouble with writing about a show that's still on the air, though, is that one episode can completely negate everything one has written. For instance, in the foreword, written by Tony Campolo of Eastern College, and in chapter three, "Does Lisa Speak for Jesus," the precocious middle child is discussed as the embodiment of the "social gospel," when in episode 13:6 ("She of Little Faith") this long-time vegetarian and pacifist discovers her true faith is Buddhism (Richard Gere makes a memorable cameo appearance). Furthermore, when viewing this character a bit here and a little there, she might seem religious. But when considering her in totality, one discovers that she is the really the embodiment of rationality and science; something that's traditionally been seen as at odds with religion.

[6] One final flaw of the volume is that it isn't indexed, which proves particularly problematic for those who might want to use it as a reference. On the positive side, Pinsky has a conversational tone and covers a lot of ground, particularly where Christianity and Judaism are concerned. The author has even selected a number of key episodes, such as "Homer the Heretic," "Homer vs. Lisa and the Eighth Commandment," "The Last Temptation of Homer" and "Like Father, Like Clown," to discuss in-depth and demonstrate how many of these are so well written and researched that theological teachers use them in the classroom. The chapter on the Jewish characters is probably the most informative one, for not only does it explores the character of Krusty the Clown, but it also translates some of series' frequently used Yiddish phrases. Pinsky also throws in some interesting interpretations of Selma and Patty, Marge's spinster sisters. A boon to readers is the brief chapter on the series' creators and the inclusion of endnotes and a bibliography.

[7] Despite its flaws, The Gospel According to The Simpsons is an enjoyable and frequently eyebrow-raising read. Fans of the series will get to re-experience some of the funniest moments (and, in 14 years there have been many), and scholars will find plenty of references and pearls of wisdom suitable for underlining. Those completely unfamiliar with the series might have trouble navigating the text, simply because Pinksy assumes the reader has seen at least a few episodes. But until a more comprehensive overview comes along, this one proves more than adequate.

Julien R. Fielding
Independent Scholar
Omaha, NE
julien@jrfielding.com

 

 

 

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