Horsley, Richard and James Tracy, eds. Harrisburg, PA: Trinity
Press International, 2001. 234 + vi pp. $20.00
(USD). ISBN: 1-56338-319-5.
[1] For the authors of Christmas Unwrapped,
the American Christmas season represents a religion of consumer
capitalism that reinforces the “ethic of consumption” and
ultimately “has little to do with the birth of Christ” (167). Movies
such as Miracle on 34th Street provide its mythology;
Santa Claus serves as its chief icon; gift-giving and shopping
supply its rituals. Together, these symbols inculcate
consumer-oriented values that play an integral role in the
success of the U.S. economy. Not surprisingly, Christmas
Unwrapped offers a poignant critique of American culture,
and in particular, the frenzied consumerism associated with
the Christmas holiday season. Though of particular
interest to those within the Christian tradition, the book
will appeal to anyone concerned with the increasing commercialization
of American culture and the underlying value systems that
support a consumer-based society.
[2] The contributors consciously build on Stephen
Nissenbaum’s analysis in The Battle for Christmas:
A Cultural History of America’s Most Cherished Holiday (New
York: Alfred A. Knopf, 1996). Nissenbaum traces
the development of the iconography of Christmas during the
nineteenth century, especially the creation of Santa Claus. He
argues that New York elites—such as Clement Moore
and Washington Irving—sought to domesticate Christmas
in reaction to the urban violence associated with the Christmas
season as those without means often demanded gifts from
the wealthy. The figure of Santa Claus and the focus
on gift-giving to children successfully moved the celebration
of Christmas away from this class-based confrontation in
the public sphere to a domestic, family-centred activity. Nissenbaum
concludes his analysis at the end of the nineteenth century;
however, the contributors to Christmas Unwrapped focus
on the devolution of the holiday during the twentieth century
into an unparalleled celebration of greed and power.
[3] Divided into four sections, the book offers historical,
cultural, biblical, and theological analyses of the holiday
season. James Tracy’s historical essay, for
example, argues that the surplus of goods created by the
industrial revolution, along with the subsequent need for
new markets, fused the celebration of the holiday season
with the profitable productivity of the economy. Moving
on to the 'sixties, Elizabeth Pleck details the emergence
of protest movements against Christmas, paying special attention
to the role of Black nationalism, Jewish group consciousness,
psychiatric diagnosis of social problems, and feminism. For
each of these groups, the celebration of Christmas increased
their sense of alienation as it reinforced a hegemonic culture.
[4] The second section focuses on cultural critiques. Max
Myers and Kathleen Sands dissect popular Christmas movies,
highlighting underlying messages that reinforce an ethic
of consumption and patriarchal values, among other things. A.
P. Simonds adds an insightful analysis of the implied value
systems embedded in holiday advertising. Image associations
used in advertisements, he argues, reveal a “groveling
before images of wealth and power” rather than a questioning
of them (100).
[5] Parts three and four approach Christmas from the
vantage point of biblical and theological studies. Richard
Horsley’s three essays highlight the sharp distinction
between the biblical portrayal of Christmas and contemporary
emphases. The American celebration of Christmas resembles
the festivals promoted by the imperial Roman Empire and
ancient Mesopotamia. Far from the humble story of
a Saviour born in a manger, these festivals honored the
power of Caesar and unseen forces that controlled people’s
lives. Max Myers compares the Christian notion of
grace with the materialistic values associated with Santa
Claus that encourage self-interest and the limitless pursuit
of more goods. Finally, Paula Cooey explores the implications
of the Supreme Court’s interpretation of the establishment
clause in Lynch v. Donnelly, in which they deemed
a Nativity scene lawful considering its placement among
secular Christmas symbols such as Santa Claus and reindeer. Cooey
highlights the ironic impact of the decision: these
displays dilute the religious value of traditional Christmas
symbols even as they lend an air of religious authority
to consumerism and capitalism.
[6] Each essay reflects a bold interpretation of the
American celebration of Christmas and carries strong moral
import. Clear and well written, they engage the reader
from a variety of perspectives and encourage serious reflection
on American culture. One suspects, however, that the
strong moral concern evidenced by the authors predisposed
them to see the negative implications of the American Christmas
and neglect other interpretations. Tracy dismisses
Leigh Eric Schmidt’s emphasis on the gift-giving aspect
of Christmas in Consumer Rites: The Buying and Selling
of American Holidays (Princeton University Press, 1995)
as a “superficial analysis” that “runs
the risk of facilely equating modern American consumer excess
with underclass traditions of the European past” (5). Perhaps,
but morally concerned readings of the American Christmas
run a similar risk of obscuring the ways in which the modern
celebration of Christmas might build and maintain communities
in a pluralistic society. Only A.P. Simonds and Richard
Horsley come close to this type of acknowledgment. For
example, Horsley briefly notes that the holidays “secure
family identity as well as family solidarity” (171). An
extra essay exploring the possible benefits of a “consumerized” Christmas
would go far to balance the more negative approach represented
in the essays.
[7] Despite this criticism, Christmas Unwrapped brings
numerous aspects of the American Christmas into sharp focus
and successfully illuminates key developments in the celebration
of Christmas during the twentieth century.
Joseph W. Williams
Florida State University
Tallahassee, FL
jww03c@fsu.edu